The contemporary art museum’s fourth triennial deconstructs the relationships among images, culture, and entrenched power structures and proposes reality-disrupting interventions into our built systems with works by 30 artists, among them Russian artist Zhenya Machneva, Hong Kong illustrator Wong Ping, and Grecian collective Kernel.

Claudia Martínez Garay, “The Leftovers” (2016).
Courtesy the artist and Ginsberg Galería, Lima, with support by Rijksakademie van Beeldende Kunsten, Amsterdam. Photo: Arturo Kameya