ISSUE 79/THESIS GUIDE/NOVEMBER 5, 2009
ROBERT FITZSIMMONS
WORDS: AISHA SPEIRS
Fitzsimmons' intelligently tailored womenswear was perfected after much practice. "I trained with Wilfred Rosario, a tailor in the Flatiron district, every Saturday for four years," he attests. Then Fitzsimmons applied these suit-making techniques to dresses and shirts. "It started with an abstract concept," explains the Denver native. After reading Maureen Dowd’s Are Men Necessary?, Fitzsimmons postulated female attire in a world without the opposite sex. "It’s a display of both aggression and delicacy in a palette somewhere between saturated floral and athletic," he explains—a mix embodied by a blue spandex dress adorned with hundreds of hand-cut foam petals. Jackets were constructed with a natural shoulder line "so as not to exaggerate the female frame," he explains, while a button-down was completed with a snap-crotch to hold it in place. Womenswear is lucky to have this young man on the case. robertlfitzsimmons (at) gmail.com
ISSUE 79/THESIS GUIDE/NOVEMBER 5, 2009
ANDREW GIERKE, PABLO KOHAN, DANIEL WHIPPLE AND DIFENG ZHOU
WORDS: EMILY LEIBIN
All your architecture are belong to us: This project envisions swarms of invisible microscopic robots acting as construction workers, spinning organic materials together like spiders. “This allows us to weave solid surfaces at a molecular scale to create architecture,” explains Whipple. To visualize its concept, the group used the software program Massive, used by the film industry to animate crowds of people. Their groundbreaking techniques are intended to inspire new ways of thinking about the future of design and construction. complexphenomena.com
ISSUE 79/THESIS GUIDE/NOVEMBER 5, 2009
TINA PARK, MONIKA HADIOETOMO AND MADELINE SYWULAK
WORDS: LAURA PEACH
Three students from the Art Institute of Chicago made the Avant Guardian grade. Seduced by the story of Dorian Grey, Tina Park reflected on "an androgynous being whose psyche was corrupted in the search for youth and splendor." The somber palettes of oversized trousers embody a sophisticated orphan, and the intentionally skewed outerwear gives the sensation of wearing a weeping bird.
ISSUE 79/THESIS GUIDE/NOVEMBER 5, 2009
MICHAEL-JOHN BAILIE, PAUL DUDKOWSKI, ERNEST NG AND DAN STRIPP
WORDS: SARAH FROELICH
Like a merging of Habitat for Humanity, Rural Studio and deconstructivist theory, this house in Buffalo's Black Rock neighborhood incorporates a central communal living space surrounded by four expanded private nooks. The team behind this intervention first gutted a 400-square-foot single-family house then punched volumes through the existing walls with the intention of challenging perceptions of domesticity and the methods of architecture education. In the reinvention process, they were faced with the task of reinterpreting building codes in order to fund and execute this full-scale project from conception through completion. The project continues, and the progress can be seen on their site. quadspace.wordpress.com
ISSUE 79/THESIS GUIDE/NOVEMBER 5, 2009
CHARLES CONSTANTINE
WORDS: SOPHIE BORCH-JACOBSEN
Tackling perhaps our society's most sensitive issue, Constantine's project compares North American funeral rituals with those in other cultures to question the traditions' spiritual and ecological effects. "Death is the only absolute in this world, and we need to confront it," he explains. With a background in sculpture, his furniture and accessories place life and death side by side. The pine coffee table Memento can later become a coffin, while the Fontis urn can be used as a vase after the ashes have been scattered. Rather than being macabre reminders, Constantine's pieces make the inevitable a less taboo affair. halfwayhousedesign.com





















