"In the Bedroom" with Galerie Solis at The Future Perfect

Debuting at The Future Perfect townhouse in New York today, Galerie Solis’ “In the Bedroom” collection represents a categorical development for Los Angeles-based designer Sarah Solis. Her new made-to-order furniture pieces express an acute understanding of the various roles the bedroom plays—and the personal undercurrent behind the aesthetic covers. The collection comprises six pieces, from distinct four-poster canopy beds to sculptural nightstands and a contemporary take on a vanity chair.

“The bedroom is the most personal space in the home—it’s where we return to ourselves,” Solis tells Surface in advance of the opening. “I approach it as a sanctuary, a place that restores and holds us.” But Solis sees and responds to the room’s additional facets. “Designing for the bedroom means balancing sensuality and serenity, intimacy and intention,” she continues. “Each piece is about comfort, yes, but also about presence, how the curve of a headboard or the weight of solid wood can make you feel grounded and at ease.”

Solis looked to materials of the utmost quality—from kiln-dried alder to linens and velvets woven in centuries-old Belgian and Italian mills, as well as sustainably sourced oak and walnut. “Materiality is where everything begins for me,” she says. “I am endlessly inspired by the honesty of natural materials—the way wood grain tells a story, how natural fiber fabrics soften with time, or how a hand-forged detail reveals the maker’s touch. These materials bring a quiet luxury, longevity, and depth to every piece.”

The pieces in the collection utilize sculptural, sweeping forms and rounded corners, which feel right at home in the bedroom. “Curved lines create a sense of ease,” Solis explains. “They invite you in. In a bedroom, that softness feels essential. Rounding an edge of shaping in a leg with intention changes how a piece interacts with light—it makes the room feel more human, more lived-in. There’s emotional language in those forms; they express comfort and warmth without words.”

As with Galerie Solis’ Heritage collection from 2024, “In the Bedroom” weds the handicraft of West Coast artisans with historic European techniques. This marriage is the foundation of Solis’ mission. This manifests in the collection’s dovetail joinery, meticulous millwork, and handcrafted upholstery. “Europe gave us centuries of technique; California gives us air and freedom,” Solis says. “When those two meet, you get something that feels timeless but not traditional—heritage reimagined with soul.”

For the collection’s beds, Solis transformed architectural archetypes, each of which imparts something specific upon a bedroom. “The Canopy bed brings romance—a frame that creates its own architecture within the room, a quiet retreat within a larger space. It’s about ritual and softness, about creating a moment of privacy and poetry,” she says. “The Commune bed, by contrast, is sculptural and grounded, yet sensual. It’s inspired by the spirit of our signature sofa—fully upholstered, generous, meant for lingering. Together they express two sides of rest: one more ethereal, one deeply anchored.”

“The mission has only become clearer—to create furniture that lives with you,” Solis says of the way her studio has developed since its inception. “Galerie Solis was always about permanence and quiet luxury, about designing objects that hold space for the rhymes of everyday life. What’s evolved is my understanding of legacy—not as something static, but as something that grows with time, that bears the imprint of the people who live with it. Every piece we make is meant to be passed down, to carry its story forward.”

The designer sees The Future Perfect as the ideal home to launch In the Bedroom. “It’s a partnership built on shared values of artistry, integrity, and enduring beauty,” she says. “They understand that craftsmanship isn’t only about how something is made, but ultimately how it makes you feel. Launching this collection in that context feels like bringing the work full circle—from the hand of the maker to the hands of the collector.”