Michèle Lamy and Oliver Gustav have transformed Gustav’s 1920s-era Copenhagen studio into a tactile, immersive stage for sculptural furniture and contemporary art. The group exhibition, “Staging,” positions Rick Owens’ signature brutalist tables and sculptural pieces alongside Gustav’s long linen sofa, Kaare Golles’ aluminum forms, Scarlett Rouge’s surreal paintings, and ceramics by Giovanni Bassan, creating a dialogue between material, form, and spatial experience.