For her inaugural solo exhibition in Los Angeles, Trouvé pits the flow of time against the endurance of common objects through standout works like The Great Atlas of Disorientation, a drawing installed in a metal armature that itself functions as a linear drawing through space. 

Untitled, 2019, from the series “Les dessouvenus,” 2013–. Pencil on paper mounted on canvas, and bleach, 125 x 200 x 3.5 cm. Photo: Florian Kleinefenn, © Tatiana Trouvé, Courtesy Gagosian.