Digital chromogenic prints and photographs from the conceptual artist’s key series—”Unbranded: A Century of White Women, 1915-2015,” “Unbranded: Reflections in Black by Corporate America 1968-2008,” and “Branded”—go on view in Florida, investigating how racial and gender stereotypes have been perpetuated in advertising and marketing imagery for the past century.

Hank Willis Thomas, “Golly, Mis’ Maria, Folks Jus’ Can’t Help
Havin’ a friendly feeling’ for Dis Heah! 1935/2015” (2015). Photo: courtesy The Ringling