Katherine Hattam: Strange Country, Strange Times
November 16, 2022 - December 20, 2022

Brightly shaded walls and windows, collaged book spines, and iconographic depictions of Australian fauna and flora make up much of Hattam’s painterly practice, a lifelong investigation of the domestic interior. Here, she reflects on psychic space at the hands of the pandemic’s seeping isolation through vivid jigsaw woodcut printing, a technique of Classical Japanese art that was later adopted by Edvard Munch and Paul Gaugin. Inserted regularly throughout the works are motifs of Hokusai’s Great Wave Off Kanagawa, representing a mentality of time—waves of feminism, waves of coronavirus—that embraces natural rhythms based on a sense of tidal flow. 

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