Kicking off the converted 17th-century church’s Autumn satellite program are two series of photographs encapsulating Sachs’ enduring interest in materiality and injecting life into domestic objects. In one series, he reveals the mysterious alter egos lying dormant within a piece of string, a percussion instrument, and a toilet paper roll. Keen on incorporating chance and haphazardness in the way he uses light sources and moves his camera, Sachs finds freedom in unusual visual effects verging on the surreal.