Working in the 1930s and ’40s, the photographer created socially focused documentary photographs as much as stylized, experimental images. This exhibition explores both his approaches through his many series chronicling New York’s street scenes, Panama’s Black Christ festival, and the Dust Bowl’s migrants.
Sid Grossman, “Untitled (Graffiti, woman and cardboard boxes)” (ca. 1940). Photo: Sid Hoeltzell.
