ARTIST STATEMENT

Oscar yi Hou Reveals the Complexity of Asian-American Identity

In his richly layered portraits, the British-born Cantonese painter and UOVO Prize winner surrounds his queer, Asian diasporic subjects with “Chinese cowboy” imagery that explores both the nuances and obfuscations of belonging.

In his richly layered portraits, the British-born Cantonese painter and UOVO Prize winner surrounds his queer, Asian diasporic subjects with “Chinese cowboy” imagery that explores both the nuances and obfuscations of belonging.

Here, we ask an artist to frame the essential details behind one of their latest works.

Bio: Oscar yi Hou, 24, Brooklyn (@oscyhou)

Title of work: Old Gloried Hole, aka: Ends of Empire (2022). 

Where to see it: “East of Sun, West of Moon” at the Brooklyn Museum (200 Eastern Parkway) until Sept. 17, 2023.

Three words to describe it: Huge-ass flag.

What was on your mind at the time: I was thinking about U.S. imperialism and its relationship to “Asia America.” I was also thinking of Jasbir K. Puar’s theorization of homonationalism.

Oscar yi Hou. Courtesy of the artist

An interesting feature that’s not immediately noticeable: The small stars within the red stripes are color-sequenced to the rainbow pride flag. It’s a veiled allusion to the contemporary ways in which liberal democracies weaponize LGBT rights for nationalist, oppressive ends. Akin to what is known as “pinkwashing.”

How it reflects your practice as a whole: I like this work because it’s a combination of my more legible figurative work and my more illegible “poem-picture” practice. Thematically, it explores everything that my practice is about.

One song that captures its essence: “Born in the USA” by Bruce Springsteen.

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