The burgeoning painter and former punk vocalist transforms Gagosian Beverly Hills into a makeshift tennis court, surrounded by his vivid canvases depicting people of color in states of luxury and leisure. Viewers are encouraged to imagine themselves as players in his tennis game, as well as ruminate on romanticized visions of class, belonging, and inheritance throughout America’s past. “The implications of leisure and class draw me in, while, as a player, I know it to be an absolutely maddening endeavor,” he says. “A well-dressed struggle for victory can be analogous to life itself.”