Zhong has an aptitude for thrilling and unsettling viewers with works that provoke their understanding of physics and spatial perspective. Using wood, plaster, resin, foam and more, the Shenzhen-born, New York-based artist’s large-scale installations use sculpture and video to plunge viewers into negative space—or invite them to get up close and personal with pieces that seem to teeter on an invisible edge. Her second outing with Chapter NY expands her body of work to include oil-on-panel paintings that position eerie, free-floating spheres among abstract environments and landscapes.