Drawn from the rich collection of the editor of early 20th-century American literary magazine The Dial, these 50 drawings, watercolors, and prints—showing together for the first time—explore how these three Expressionist heavyweights pondered, depicted, and illuminated the human form.
Egon Schiele, “Standing Nude with Orange Drapery” (1914).
The Metropolitan Museum of Art, Bequest of Scofield Thayer, 1982.
