Since the 1990s, French artist Vincent Beaurin has moved between design and art, combining painting and sculpture, surface and volume, texture and contour, in a practice held by contemplation on space. Within Fondation Cartier’s “Exposition Générale,” Sans titre 2001 gathers twenty-one faceless heads, cast in plaster and arranged in a circle, each conceived as the minimum mental space a head might occupy. Repeated in identical form, the works turn presence into ritual, a cycle where color speaks in place of the body.