Edie Flushmount, photo by Joe Kramm
Light Line, photo by Lauren Coleman
Snow Mobile floor lamp, photo by Paul Barbera
Doris Sconce, photo by Lauren Coleman
DESIGNER OF THE DAY

Designer of the Day: Mary Wallis

This NYCxDesign, award-winning contemporary lighting designer Mary Wallis debuted both the Springtide and Snow Mobile collections composed of geometric, sculptural pieces that cast wonder in conjunction with their glow. Each hand-produced floor and hanging light is imbued with Wallis' innate artistry, born from decades of fine-art painting, with the Snow Mobile also serving as a nod to Alexander Calder. Prior to founding her eponymous studio in 2012, Wallis studied design at Parsons and Pratt Institute—though, remarkably, this pursuit of design followed her 2006 Ph.D. in genetics from the University of Cambridge. It's this dynamic amalgam that sets her practice apart.

This NYCxDesign, award-winning contemporary lighting designer Mary Wallis debuted both the Springtide and Snow Mobile collections composed of geometric, sculptural pieces that cast wonder in conjunction with their glow. Each hand-produced floor and hanging light is imbued with Wallis' innate artistry, born from decades of fine-art painting, with the Snow Mobile also serving as a nod to Alexander Calder. Prior to founding her eponymous studio in 2012, Wallis studied design at Parsons and Pratt Institute—though, remarkably, this pursuit of design followed her 2006 Ph.D. in genetics from the University of Cambridge. It's this dynamic amalgam that sets her practice apart.

Edie Flushmount, photo by Joe Kramm
Edie Flushmount, photo by Lauren Coleman

Here, we ask designers to take a selfie and give us an inside look at their life.

Occupation: Designer

Instagram: @mary_wallis_studio

Home Town: Melbourne, Australia

Studio Location: NYC

Describe what you make: Sculptural lighting

The most important thing you’ve designed to date: The Light Line table lamp in neon. I designed it while I was still a student at Parsons and Anthropologie picked it up. It started my studio.

Light Line, photo by Lauren Coleman
Empire, photo by Lauren Coleman

Describe the problem your work solves: As LED technology evolves, we are moving beyond the constraints of the traditional A-type Edison bulb. I’m working on a new design vocabulary for these emerging technologies. I think we’re in a golden age of lighting design.

Share the project you are working on now: An organic LED mobile called Snow Mobile. The OLEDs are paper-thin and feather-light, which allows for such a delicate, floating structure.

What you absolutely have to have in your studio: A kettle for tea.

Snow Mobile floor lamp, photo by Paul Barbera
Snow Mobile, photo by Joe Kramm

What you do when you’re not working: Sailing. In the summer I sail on New York Harbor after work.

Sources of creative envy (dead or alive): Mother nature

The distraction you want to eliminate: The Staten Island ferry. Just kidding! She’s the queen of New York Harbor and gives way to no-one.

Concrete or marble? Marble

High-Rise Or Townhouse? High-rise. I live on the 46th floor looking out over the water because I like to see the weather coming over the horizon.

Remember Or Forget? Remember

Aliens Or Ghosts? Ghosts

Dark Or Light? You need both. It’s all one.

Doris Sconce, photo by Lauren Coleman
Springtide, photo by Joe Kramm
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