Artist Statement

Jody Guralnick Finds Inspiration in Grass Pollens, Moss, and Contemporary Art

Colorado-based artist Jody Guralnick turns her attention to the overlooked life of the forest floor in “As Close as Breath,” her exhibition at Nancy Hoffman Gallery. Mosses, lichens, molds and the branching threads of fungal mycelium are at the center of the artworks, rendered in thick acrylic impasto that rises in relief against deep, luminous oil backgrounds. “As muses go, yeast, mold, mushrooms, and lichen have a lot to offer,” she says. In The Gossip of Grasses, Guralnick invites viewers to look closer, as some forms have been painted over yet still linger beneath the surface.

"The Gossip of Grasses" by Jody Guralnick. …

Bio: Jody Guralnick (1953), lives and works in Aspen, Colorado. Her practice operates at the vital intersection of contemporary art, ecological taxonomy, and citizen science. She focuses intensely on the intricate, symbiotic structural systems of the “Fifth Kingdom”—mosses, lichens, molds, and the branching hyphal threads of fungal mycelium. As muses go, yeast, mold, mushrooms, and lichen have a lot to offer. When fungus grows, it casts these lacy mycelial threads. It’s so baroque and over the top. Her language is deeply informed by immersion in environmental observation.

Title of work: The Gossip of Grasses

Where to see it: Nancy Hoffman Gallery, 520 W 27th St., New York, NY 10001

Three words to describe this work: Alive, observe, immerse

What was on your mind at the time: I was thinking about grasses, often overlooked, and I started researching grass pollens, immensely complex and yet taking the form of so much else in the world, rods and spiked balls that we see at every level, from microscopic to macroscopic. It struck me that this pollen is a universal truth, a building block of the world. This form exists in our gut and is floating about us all the time. I love the whisper of all that is unseen in and around us, I like to know and show it to you. The more you learn the more you see, the more you care.

Portrait of Jody Guralnick. Photo by Janette Beckman. …

An interesting feature that’s not immediately noticeable: There are some forms I painted and then painted over but that still show subtly. If you look closely, some flowers and petals and leaves are half submerged.

How the work reflects your practice as a whole: My work is about looking and learning, seeing the entire world in a blade of grass. But I also like to let a vision unfold slowly, you need to peer in and take time and watch small hitherto unseen marvels appear

One song that captures the work’s essence: “Hallelujah” by Leonard Cohen.

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