Artist Statement

Tschabalala Self's 'Dry Land' Is a Collage Built From Her Own Past Work

Tschabalala Self's 'Dry Land (2020–2026),' on view at this year's Aspen Art Fair with Southern Guild, revisits the fluid blend of abstraction and figuration that defined her early practice around 2015. The large-scale work, built from acrylic, oil paint, oil pastel, colored pencil, fabric, and thread, centers on Self's signature depictions of women, constructed through sewn, printed, and painted materials that move across artistic and craft traditions. For Self, the painting marks a deliberate return and reinvention, and captures, in her words, "figuration, abstraction, transformation."

'Dry Land, 2026'. Acrylic, oil paint, oil pastel, coloured pencil, fabric, thread on canvas, 96 x 48 in. Image courtesy of the artist/Southern Guild.

Bio: Tschabalala Self (b.1990 Harlem, New York) lives and works in the Hudson Valley, New York. Self is an artist who builds a singular style from the syncretic use of painting, printmaking and sculpture to explore ideas surrounding figuration. She constructs depictions of predominantly women using a combination of sewn, printed, and painted materials, traversing different artistic and craft traditions. The formal and conceptual aspects of Self’s work seek to expand her critical inquiry into selfhood and human flourishing.

Title of work: Dry Land, 2020-2026.

Where to see it:  Aspen Art Fair with Southern Guild.

Three words to describe this work: Figuration, abstraction, transformation.

What was on your mind at the time: When I was making this work, I was thinking about how my practice has developed over the past ten years. I wanted to make a painting that would remind me of the early works I was making circa 2015 that blended abstraction and figuration more fluidly.

Portrait of Tschabalala Self. Courtesy of the Artist and Southern Guild.

An interesting feature that’s not immediately noticeable: An interesting feature within this work is the face within the face. It’s collage—a splash between two figures from two previous works that I deconstructed.

How the work reflects your practice as a whole: This work reflects my practice as a whole because it is something new for me. I always push myself towards reinvention.

One song that captures the work’s essence: “Caravan” by Thelonious Monk.

All Stories