Surround Pendant. Photography by Andrea Fremiotti
Beacon Collection. Photography by Bart Blonski
Surround Pendant. Photography by Andrea Fremiotti
DESIGNER OF THE DAY

Designer of the Day: Erin Lorek

Working as a designer, gaffer, and rigger in the live entertainment industry for more than 15 years made Erin Lorek a master of wielding light to make space come to life. She now brings her expertise to Lorekform, a recently launched Brooklyn studio that explores how honest materials and experimental construction can make light’s deeply expressive nature dance, play, and enliven its surroundings.

Working as a designer, gaffer, and rigger in the live entertainment industry for more than 15 years made Erin Lorek a master of wielding light to make space come to life. She now brings her expertise to Lorekform, a recently launched Brooklyn studio that explores how honest materials and experimental construction can make light’s deeply expressive nature dance, play, and enliven its surroundings.

Here, we ask designers to take a selfie and give us an inside look at their life.

Age: 42

Occupation: Lighting designer.

Instagram: @lorekform

Hometown: West Chester, PA.

Studio location: Gowanus, Brooklyn.

Describe what you make: I make objects that react beautifully to all types of light, not just the source they’ve been assigned.

Surround Pendant. Photography by Andrea Fremiotti
Surround Pendant. Photography by Andrea Fremiotti

The most important thing you’ve designed to date: My iron-cast glass. I spent years trying to figure out how to texturize glass in a way that is, at least partially, free of my influence. My process encourages the creation of random flaws, giving us a final casting that allows the light to surprise us with what it finds. 

Describe the problem your work solves: My background as a designer and rigger in the live entertainment industry has enabled me to create pieces that are easily adjustable and customizable. Because of its two-dimensional nature, the Beacon Pendant can easily be styled as a sconce where a traditional sconce can’t be hung, like in front of a window or a fresco. A group of them can form a curtain or a room divider. I’m really looking forward to seeing what the stylists come up with. 

Describe the project you are working on now: This Sketches in Situ series, where I shut out the world and draw just like I did when I was a teenager.

A new or forthcoming project we should know about: It’s a little early, but I’m carving out time and resources to expand my glass into three-dimensional space. Experiments in centrifugal casting are on the table, which I think I get to build a machine.

Glass detail
Beacon Collection. Photography by Bart Blonski

What you absolutely must have in your studio: A case of Modelo. Silence.

What you do when you’re not working: Surf the Rockaways.

Sources of creative envy: I jump from crush to crush like a schoolgirl. Currently the ceramicist Matthew Chambers keeps me up at night. Eternally, Vincenzo de Cotiis and Libensky and Brychtova. Kanye West deserves a mention (I know I know). He designed the Saint Pablo tour from the bottom up. Whenever I look at that rig, I question every choice I’ve ever made. 

The distraction you want to eliminate: Distractions are what got me here. Wanna ride bikes?

Surround Pendant
Surround Pendant. Photography by Andrea Fremiotti

Concrete or marble? Concrete.

High-rise or townhouse? Highfalutin low-rise.

Remember or forget? Remember.

Aliens or ghosts? Aliens.

Dark or light? Dark.

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